‘Hungary’ Archives
Sweet Emma, Dear Böbe
Édes Emma, drága Böbe Hungary, 1992, colour, 81 mins. István Szabó’s return to his native Hungary after over a decade of international acclaim produced a film that’s a stark contrast not only to the glossy, star-studded production values of Mephisto (1981), Colonel Redl (1985), Hanussen (1988) and Meeting Venus (1991), but [...]
Alpine alliances
A three-day co-production market is being staged as a sidebar of the Les Arcs Film Festival in the eponymous French ski resort.Projects being discussed and hopefully packaged include new features from Attila Gigor (whose The Investigator was one of the brightest Hungarian debuts in recent years), his compatriots Bálint Kenyeres, Réka Kincses and [...]
Punitive Expedition
Büntetőexpedició Hungary, 1970, black and white, 34 mins. Is there another national film culture that has devoted so much screen time to the study of horses? Not merely in the sense of lots of them on screen at any one time (there are plenty of American-made Westerns that offer much in that department), but in the way that many [...]
Capriccio
Hungary, 1969, colour, 16 mins. Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema's greatest visual poets has all the spellbinding qualities of his better-known feature debut Sindbad (Szindbád, 1971), but here allied to a winning sense of humour that's never quite [...]
Ten Thousand Suns
Tízezer nap. Hungary, 1965/67, black and white, 110 mins. One of the most impressive Hungarian directorial debuts, Ten Thousand Suns offers clinching proof that Miklós Jancsó wasn't the only mid-1960s master routinely offering breathtaking widescreen compositions featuring hundreds of men and horses. Shot by Sándor [...]
Cold Days
Hideg napok. Hungary, 1966, black and white, 96 mins. It's hard to fault the title: virtually every scene in András Kovács' powerful film is either set outdoors in snow that audibly crunches underfoot, or in a white-walled prison cell where central heating clearly isn't a top priority. The latter is occupied by four [...]
Twenty Hours
Húsz óra Hungary, 1965, black and white, 110 mins The investigative narrative and flashback structure of Orson Welles’ Citizen Kane has been used more than once to frame a central European political subject. The best-known example is Andrzej Wajda’s Man of Marble (Człowiek z marmuru), written in 1963 but not filmed until 1976, but Zoltán [...]
Swimming-Pools
Strand Hungary, 1963, black and white, 14 minsNot so much a documentary as an often near-abstract study of bodies on beaches, much of István Ventilla's film uses extreme telephoto foreshortening to reduce people to constituent parts. Flesh is contrasted with sand, stone and grass, and with other examples: hairy and smooth legs almost seem to be [...]
Current
Sodrásban Hungary, 1963, black and white, 90 mins Also known as In the Current, this was the debut feature by the 30-year-old István Gaál, and has subsequently been recognised as one of the earliest films of an authentic Hungarian 'new wave'. Gaál had spent two years (1959-61) studying film at the Centro Sperimentale in Rome, and Current [...]
Gypsies
Cigányok Hungary, 1962, black and white, 17 mins If the IMDB is to be believed, this short documentary made for the renowned Béla Balázs Studio is the directorial debut of Sándor Sára, who went on to forge a distinguished career as both director of his own films and cinematographer of other people's, notably Ten Thousand Suns (Tízezer nap, [...]